Rhythm, composition and semantics in R.S. Thomas’s “No”, “Kneeling”, and “Via Negativa”.
Tomasz Wisniewski, University of Gdansk
The
main objective of my paper is to present a semiotic analysis of three
poems by R.S. Thomas. The research material should enable me: 1) to
exemplify idiosyncratic employment of the poetic devices; 2) to
illustrate functional juxtaposition of various compositional units (such
as a metrical foot, a hemistich, a line, a stanza, a sentence, an
entire text); and 3) to underline paradigmatic and syntagmatic tensions
between/within particular textual levels. Rather than focus on a unified
interpretation of particular poems, I shall concentrate on the
complexity of functions that are ascribed to individual compositional
units. The functional analysis of rhythm in the selected poems of R.S.
Thomas is treated as the indispensable groundwork for their further
interpretation. Methodological background for this paper encompasses
Central and Eastern European schools of literary studies such as Russian
formalism, Prague and Polish structural schools, Tartu semiotics. (They
are not treated, though, dogmatically.)